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Many of WhiteвЂ™s songs were single-chord grooves, but вЂњPo BoyвЂќ uses the slide at the fifth and seventh frets to play the IV (C) and V (D) chords, respectively.

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4, play full chords by placing the slide across five of the six strings. Make sure to slide right up to the fretwire at the fifth fret to get the proper intonation. His slide notes often occurred in flourishes-I believe the use of a thinner metal slide was important to his sound since it was easier to maneuver quickly and was less bulky than a thick glass slide. In an earlier version of вЂњFixinвЂ™вЂќ White would play a short descending run punctuated by a slide note, like in Ex. The 1963 version of вЂњFixinвЂ™вЂќ moves back and forth between these two grooves-these examples are a great place to start because they arenвЂ™t too hard to play and you should be able to get the tempos up pretty fast. Allow the fleshy part of your picking-hand palm, closest to your pinky, to rest lightly on the bass strings. 2В uses a monotonic bass and is more subdued with the palm muting the strings. Play the figure with an open sound, strumming the strings with your thumb and index finger.Д®x. 1 alternates the bass, travels back and forth between E and G in the treble and is a repeating pattern that sets up the groove. YouвЂ™ll notice that White could combine alternating-bass and monotonic-bass in the same performance. 1В is from a 1963 recording on which the tuning is dropped down a step-and-a-half to E and the tempo hovers around 190 bpm. Maintain that shape as you descend chromatically down to another G played on the open G and B strings.ДЇor more on Memphis Minnie, check out Play the Blues LikeвЂ¦ FixinвЂ™ to Die

Note how the notes on string 1 then ascend and descend through notes that include the ninth (E) and raised ninth (F/E#), adding a bit of sophistication to the proceedings.ДЄfter the D7 bar, youвЂ™ll play a very cool G-chord run: Slide with your first finger, barring the top two strings, to imply a G7 chord that morphs its way into a G triad played on strings 2 and 3, fretted with the first and second fingers, respectively. Start out with a D7 chord, fingered the same way as in standard tuning, but with a slight change-the first string is open, rather than stopped at the second fret. Bar the fifth fret with your first finger and use your fourth and third fingers to stop the eighth- and seventh-fret notes, respectively.Д®xample 4В approximates the last three measures of вЂњCrazyвЂќвЂ™s 12-bar verse. When playing this kind of roll, your picking hand should move as if youвЂ™re turning a doorknob.Д®xample 3В demonstrates a typical move to the IV chord, with strings 1вЂ“5 barred at fret 5, and a descending line on string 1. The typical blues guitarist picks with the thumb and one or two fingers, but to execute the roll itвЂ™s best to use your thumb ( p), index ( i), middle ( m), and ring ( a) fingers as shown in the notation. In later verses of вЂњCrazy,вЂќ Memphis Minnie throws in some nice finger rolls similar to those shown in Example 2. As for your fretting hand, play the fifth-fret G with your second finger, the seventh-fret A with your fourth finger, and the fourth-fret F#В with your first finger.ДЇor more on Elizabeth Cotten, check out Play the Blues LikeвЂ¦ Crazy CryinвЂ™ Blues 4В combines selected notes from the G-major scale (G A B C D E F#) with the fingerpicking pattern from the previous examples. In вЂњSpanish Flang Dang,вЂќ most of the melodic movement occurs on the first string during the G-chord sequences.

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But feel free to use any other fingerpicking pattern that works for you. 3: Pick the bass notes with your thumb and the notes on strings 1, 2, and 3 with your ring (a), middle (m), and index (i) finger, respectively.

Unless youвЂ™re also playing upside down, you can use the more conventional picking pattern shown on the G chord in Ex. 1.Д¬otten had an idiosyncratic picking hand, playing bass notes with her index finger and melody notes with her thumb (her alternating bass lines are known as Cotten Picking). Elizabeth CottenвЂ™s вЂњSpanish Flang DangвЂќ serves as a good introduction to open-G tuning, as the fretting-hand fingerings are straightforward, with only three chords (G, C and D7), all shown in Ex.

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